Monday, February 16, 2015

Today would have been my father's 63rd birthday. We would have exchanged old jokes, work and weather anecdotes, and would have planned on talking in a couple of days, on my birthday.

The world lost him to cancer two months ago, and the pain still feels like it was yesterday. I want to call and hear his laugh and voice, to hear how his day went, and to view the world through his eyes just once more.

We didn't see each other a lot over the past years, but the times we were together were important and meaningful. A few years ago, Robyn and I went to Sioux City and spend the weekend. Dad and I ended up huddled around his computer, listening to music. We were listening to the Woodstock recording, and he told me that he always wished he could have been there. He said that it was the definitive moment of his generation, but responsibility kept him from going. It was a candid confession, something that my dad never really did.

A few years later, I was taking classes online, and one of the assignments was called a pastiche poem. We were given the poem "My Father's Love Letters" by Yusef Komunyakaa, and were told to follow the pattern and line breaks and create our own poem. I wrote mine on that one clear moment where I felt closest to my dad.


“I should have been there”, he said once,
cigarette smoke isolating us from everything.
“Woodstock was the calling of my generation, a perfect display
of love and peace and understanding.”
“Why didn’t you go?” I asked.
A shrug and a frown.
Silence, as he remembers why.
Family duty rang. He answered instantly.
Brothers and sister to help, a mother struggled,
Money needed, he worked hard.
One by one, dreams given up
As jobs came and went.
Mops and brooms, aprons and spatulas.
All remains of dreams he sacrificed at
The altar of duty.
Age crept in, as did life.
Dreams fading, disappearing in
Life’s rearview mirror.
Years pass, along comes a son.
Working long hours, sunup to sundown,
In son’s heart . . .
Each time with father, like Christmas.
A special moment shared.
Lessons slowly learned,
Watching his father toil away tiredly.
the son grew, shoulders unbowed,
He carried the ethics, mirrored his idol.
“Never let the world break
you no matter what happens, stand true.”
His father showed, never said.
Always do your best, no
matter what anyone says about
You. Never regret your choices, son,
And always chase your dreams. To
Be like you is my goal.
To stand, unbent, by the world’s weight.


While I will never be able to call him and talk to him, to hear his jokes and his stories, I will always remember my father this way. He did what he had to do, because that's what one does. The way he lived his life has inspired me to live my dream. He will always be one of my biggest inspirations, and my hero. 

I love you, dad. 


Saturday, July 27, 2013

...and some guy named Rick



Almost a year ago, I had the opportunity to experience one of the coolest things a lifelong gamer can experience....GenCon Indy. Days of gamers, gaming, panels, geeks and more. As part of the TPK crew, I was able to sample the local culture which mainly consisted of the local bars.

During one such excursion, I was sharing some food and drink with the writing pool of TPK, and was introduced to Dale McCoy, Jr., President of Jon Brazer Enterprises. He approached me about a freelance contract. He told me that it was one of four lead in stories for the iconic party of the Shadowsfall Campaign Setting. The setting is pretty awesome. I'd recommend checking it out if you want a new and interesting setting to play in.

So, long story short, he gave me free reign as long as I mentioned certain keywords that applied to the other characters and the setting. The main character, a ranger named Sebesten, encountered the advance party of an undead horde heading towards the town of Blackbat. Anything that happened in the story was all me.

Dale sent me the necessary information I needed to get the feel of the world. He sent me to first two pieces of short fiction that dealt with two of the other iconic characters. Both were spectatular. The first was by Mur Lafferty, blogger, podcaster and writer. That was pretty cool, considering I've heard and seen her name here and there.

I checked out the second piece, and had to double and triple check to make sure I was reading it correctly. The second author who wrote for this anthology was Ed Greenwood. Yes, that Ed Greenwood.

I'm going to let that one set in for a second. My piece was going to be in the same category as Ed Greenwood. The man I had seen from a distance at GenCon, but was too shy to approach and give him the same "i've read your work and you are my inspiration and i think you are great" speech he has probably heard a million times from gamers and fantasy readers for decades.

Here I was, a relatively new freelance writer with Total Party Kill Games, with my unknown name attached to a handful of pieces, writing something for the same setting as he was. I am pretty sure I peed myself a bit.

I have been reading fantasy for decades, and have read a number of his books. To be loosely associated with Ed Greenwood still gives me a happy shiver.

Between all the different plates i'm spinning right now, writing is by far the most unstable. There are times where I am fed up with school and never want to put the metaphorical pen to paper again. Other times I want to write until my fingers bleed and my eyes fall out of my head, and then continue to write some more.

One of the handful of things that get me past the slump is this picture.

 Yep. That has my name on it. I will open up the PDF of this story, and just look at it. This never fails to highlight the fact that I am a writer with many stories to tell.
It's time to get started. Incidentally, if you are interested, you can find the story on drivethrurpg.com.

Thursday, July 18, 2013

Flashback: Raxath rant, of peeps and yips.

While mining a folder for gaming documents, I came across this blog that I wrote for the upcoming release of "Raxath' Viz, The Creeping Rot." It was an amazing experience, and helped break through some barriers when working with a group on a creative project. enjoy.

-rick


Greetings, children. It’s been a while, but the Mime has been busy building his fallout shelter for the end of the Mayan calendar, and it’s taken a surprisingly long time to gather my supplies for an end of the world casaba.
                                                      
Who knew that purchasing Peeps en masse would turn out to be such a difficult task?

Peeps. Those little balls of sugar and love.  They make great snacks, because they melt in your mouth. They make great gags, because a handful of them take a while to melt in your mouth. They also make great drinking buddies, because they stay out of your rum.

Peeps. If you repeat the word Peep too many times, it steals away the connotation, of either a small, usually annoying noise, or a squishy bit o’ sugar.

Yip. That’s another one of those words, when repeated too often, blend into an odd sound that seems to echo in your skull long after you stop speaking.

Yip. Back in our AD&D days, that was the war cry of a kobold. Yip. Like a small dog, the kobolds of yore were yipping comic relief, something akin to a court jester, without all the dignity.

Even the art, with the spindly beastie, dangling a scorpion from a stick and string, made them out to be the footstools of the d&d world, along with the flumph. Don’t get me started on the correlation between the flumph and the flying spaghetti monster.

Back to the kobolds, and their yipping war cry. No one feared the wee dragonbloods, seeing them as whipping boys, pincushions, or worse. They were the d&d equivalent of salvation army bell ringers, the raggedy things you didn’t want to openly acknowledge, and that made you afraid to eat the tootsie roll after hastily dumping change into the container.

I, being the champion of the underdog, wanted to take that yip, and make it a roar. On an aside, I had never touched modules or boxed adventures ever, always relying on my own homebrew written adventures to torture my players. Dragon Mountain? Never heard of it. But I will hunt it down, and see how awesome the kobolds are.

There has always been a special place for kobolds in my heart. And when we started the Infamous Adversaries line, the first one I kicked out for perusal was Raxath’Viz, The Creeping Rot. He was significantly weaker, having only completed the first two boons for his Goddess, Maramaga. Few of the original bits from his Hero Lab file are still around, which isn’t necessarily a bad thing. He was still a sneaky bastard, but not to the depths of this.

He got delegated to the back burner for a while, while other products came forward. The other IA’s, the Tomb, and other top-secret projects came and went, but still that nasty little kobold simmered in our minds.

He got a facelift and power boost by the collective, and his “yip” became deeper, more of a post-pubescent growl. Again on the backburner, until Necro sent me a missive asking for the file.
And before my eyes, the “yip” became a “Yawp” that echoed across the blighted land, sending shivers of terror into the Catagonians.

The combined brainpower of all of us at TPK turned this little draconic humanoid of a race sneered at and looked down upon into a paragon of his breed.

He is more than the Harbinger of Maramaga.

Maramaga is more than just the Queen of Rot.

The story of Raxath’Viz grew, the depravity of his goddess formed, and the beautiful horror of his companions blossomed. The rebirth of Maramaga. The otyugh oracle. The crib. The Deadwood Order.  I hesitate to expand on these items, because I don’t want to steal the eye melting joy and awesomeness that will come when you read about it for the first time. Everyone involved threw themselves into this project. Our visions fell into line, and projected out into a complete villain, with more than just motives and magic items. He had soul. A black, rotten soul, but a soul nonetheless.

Raxath’Viz is a horrible opponent. He takes the misconceptions of kobolds being nothing more than walking footballs for PC’s to kick, and shoves it down your throat until you vomit. He sneaks into your room and poisons your body, mind and soul, then steals your life.
Raxath’Viz has the letters BMF engraved on his money pouch.
For the brave game masters out there, loose this villain upon your world, show them what a monster can do, and wreak havoc. For you unlucky adventurers who think about taking on The Creeping Rot, you best build your fallout shelter, and stock it with Peeps of your own.
With The Rot, comes disease, but not like the itch you got from that trip to Cancun, but one that eats the mind and soul.

Best of luck to ye, brave adventurer. 

Thursday, February 28, 2013

First steps....



For the class I am currently about to wrap up, we have been studying publishing and distribution. Throughout the lessons, one thing peeked through. Self publishing and distributing is much harder than I originally thought. The previous pieces I've had published were sent through an editor, then formatted for PDF. 

I submitted this story to a fantasy and science fiction Ezine to see if they would accept it. They didn't, which wasn't a big surprise. I decided to make this my first blog post on a blog I've had set up for quite a while, but have never posted on. 

Putting out that story to someone else was a very raw experience. It was a direct conduit of my writing, from me to them, without the buffer of external editing, formatting or any other polishing from a second set of eyes. 

So for the inaugural post for my blog, "Mimesis", I present to you a short science fiction piece. 

enjoy. 


“The Eye of God is a Telephoto Lens”

As I sit, staring into God’s Eye, I see myself refracted, stretched and distorted. Like a funhouse mirror, I see Chucky standing behind me. His broad features distended, the soft planes of his body sharpened, darkened, stained like old wood.

Charles Allen Pembrose. You stand to be judged. Your soul will be studied for purity. Please send it forth to be examined.

The words float throughout the air, projected on the walls of a too white room. A square appears beneath the giant lens, turns into a door. I hear Chucky shift nervously behind me. A burst of fresh air washes through the portal, caressing my bare scalp. Chucky gasps in surprise a moment later as the air hits him, and as the implications press in.

Please proceed.

I stand slowly. I straighten my coat. The Conduit on the back of my neck starts to grow warm, the tines buried into my neck start to heat up. I turn back to Chucky. Thick tears stand in his eyes, shimmering. A fat drop breaks free, runs down his cheek. More follow suit, freed of the surface strength of the liquid. His big mouth works silently, his blocky, square teeth clicking softly.  His fingers twitch.

I feel a twinge of sadness, buried beneath the artificial guilt stuffed inside me. I turn away. Chucky will find himself renewed within the system.  I will be weighed for his sins, his crimes, and will be assimilated into The Machine.

Stepping through the door, I see that I’m on a short ledge.  It juts out like a pier, hanging over the abyss. I glance down, fighting off the vertigo caused by staring down at clouds. I see the Lower Rungs, pieces of the city floating along. I imagine I can see the Bottom, the ruined remnants of former cities. The poverty line of our world is hidden below the clouds.

At the edge of the walkway, I stand still. There is no wind this high up, all of it siphoned away to keep God’s citadel afloat. I breathe deeply of the clean, unpolluted air. I close my eyes and feel myself fall in tune with the deep hum of machinery below.

The words of the manual are burned in my mind. I know what I have to do now. I straighten my coat and tie, and take a deep breath.
                                                          
Glass. You bear the weight of sin for Charles Pembrose. Please step forward.

I close my eyes and step off the ledge.

For a moment, I am weightless, part of eternity. As I twist in the air, I feel, more than see, the countless eyes of God watching my descent. A constant barrage of silent clicks and whirrs capture my every move. Pictures of every spin I make, every twirl, and of every sin.

Click

Chucky is with his friends. They are slumming it in the Lower Rung. They are drunk and riding high on synth.  Chucky is with these people because he’s a follower. He wants to be one of them. His brother, Walter, is one of them. They are following a waitress, a pretty blonde that good-naturedly flirted with them at the bar. Being who they are, they assumed this meant something. When she turned away the more direct advances, they stormed off.  Now, we follow her.

The waitress weaves through the midnight crowds on streets, followed by Chucky, Walter and three others. Behind them, come us. Each member of them has a G-man, synced in with a Conduit. Racial slurs and threats, physical assaults and thefts, every action syphoned from them to us. Our Conduits run hot on our necks as the guilt flows.  The more they plan to hurt, the more they send it to us. Our souls grow dark and heavy with lust and violence as they decide what they have in store for the pretty blonde.

They corner her in a side street, no more than a dark alley between monolithic buildings. Her eyes, shining with fear, start to spill tears. She knows what’s next, as do we.  Our souls deadened to the impending scene, we form an outward circle, watching for any outside interference.  One of the G-men is new, and I see him pull a small syringe and inject its contents into his arm. His face goes slack as the drugs kick in. His vitals will regulate, and his breathing will slow. He will learn to handle the torrent of self-loathing coming through the Conduit.

The warm red pulsing from the Conduits, growing brighter as they close on her, lights the alley. Their shadows stretch into caricatures of the monsters they are. We carry that burden for them.

Her pleas turn to screams.  When they are done, we leave. Paper notes fall like hot tears as they shower her with money.

Click

Chucky, alone, is out on the streets. His mind, stunted by generations of hedonistic and unaccountable living, sees in limited shades of grey. He knows on an animalistic level, he can do what he wants. He takes what he wants, with no repercussions. Like a blast of synth, it’s foggy, like a dream. The only aftereffects are the residual feelings of pleasure and self-gratification.  His namesake, engraved on the Upper Rung, one of the think tank that created God, blessed with immunity for his actions.

When one creates God, he will be rewarded with riches eternal.

Chucky finds something he wants, a bauble behind glass. In his slow, oafish voice, he demands it. The worker, not knowing who he is, demands payment in return. I feel a slow burn in the Conduit, seething, primal rage. As the guilt etches into my soul, I step over the broken glass and  the bleeding form of the shop worker.

Click

Chucky and Walter.
They are drunkenly firing shots out the windows of the car. Pane, Walter’s G-man, and I sit in the back seat calmly, hot shells bouncing in our laps and searing guilt worming its way through the backs of our necks. Sirens follow us, unheeded. Once their name is discovered, the holy lineage bared, all will be excused. The dead will be buried, families compensated for their loss.

Until God calls upon the Pembrose boys, the incident will be forgotten.

 Clickclickclickclickclickclick

Each snapshot, a still frame of my stained soul. As the layers peel away, I start to reform.

I remember the contract. The drug regimen. The bonding.

I remember being a child. I had a holo on my wall, of the Jupiter landing module. I always wanted to fly.  The stars were to be my way out of the Lower Rung. I was going to fly one day.  Then, my father died in an accident at work. My family needed money.  And being the youngest mouth they couldn’t feed, they sold me.
As I fall into eternity, I wonder if my family will remember me.

Will my sacrifice be appreciated?

Did my mother miss me?

Click

The first day I meet Chucky is my first day as a G-man. My memory, my mind, and my soul are all blank slates. Ingrained within my mind is my job.  I am to carry the burden of guilt for one of God’s Chosen.

I step off the elevator, my ride to one of the Upper Rungs a blur as the world comes into focus. My eyes trace the blue tubes that line every wall in the city.

 God’s Veins. A pneumatic system that transports all of Its messages to all of us. As I approach the door where my new master is, I hear the sound of a printer. scrik, scrik.
The sound of the ribbon going across the piece of paper delivers my name.

The heavy doors open, and there he is. Charles. He has a goofy grin on his face. He imagines something grand and wonderful, like a pony or a hound. Standing behind him is Walter, his brother. In the corner is another G-man. He has heavy bags around his eyes; dark smudges on an otherwise smooth, non-descriptive face.
Walter is on the opposite side of the spectrum as his younger brother. He knows exactly what it means to have a G-man. His lopsided grin and steely glint shows he’s already planning the wonders to teach his younger and slower brother.

Charles’ face droops as I walk in, a plain figure in grey. Walter tears the page off the printer and hands it to his brother.

“That’s its name.” Walter says. I see a low glow in the corner, and recognize the tightness around the G-man’s eyes. Walter is planning something, and his guilt transfers over.  

“Glass.” Chucky says. His words are slurred, a soft consonant followed by a sibilant hiss.  I feel the Conduit on the back of my neck tighten like a warm hand upon my nape. A sliver of ice enters as the first pinprick of guilt is transferred to my soul.

Click

“This is where we wait.” Pane, Walter’s G-man, says. 

Scattered around the darken room are four others, pale skin reflecting the dull pulse of another’s Conduit. They sit, staring off into space. Dull eyes listlessly watching a show only they can see.

I see hypodermic needles sitting in the lap of the nearest. A thick green liquid drips from the tip.  Too much sin builds up in the body and physical pain follows. The soul can only handle so much.

“We sit here until they call.  This is what our life consists of.” Pane moves across the dim room to sit. Within seconds, he stares off and his eyes show nothing.  I watch as he retreats into himself. The others, locked in their own personal hell, have done the same.

Will I turn into a creature such as these?

Click

I’ve hit terminal velocity, and I truly am weightless. Below, I see the end. The Eyes of God start to taper off, more distance between them now. The clicks are lessening. The time is almost here.

Click

The burning, seething

Click

Sting in the back of my neck is almost done, a fading

Click

Sting of a scorpion’s tail. The steel claw warms one last time

Click

And disconnects.

Click

Free! No

Click

Oppressive weight. The

Click

Burden lifted. I feel like I can

 Click

 Truly fly.